ROBERT CORNELIUS
One of the first photographs of a human, 1839. Robert Cornelius (1809–1893) was an American pioneer of photography. Born to a Dutch immigrant, Robert Cornelius attended private school as a youth, taking a particular interest in chemistry. In 1831, he began working for his father specializing in silver plating and metal polishing. He became so well renowned for his work, that shortly after, Cornelius was approached by Joseph Saxton to create a silver plate for his daguerreotype of Central High School in Philadelphia. It was this meeting that sparked Cornelius’ interest in photography.
With his own knowledge of chemistry and metallurgy, as well as the help of chemist Paul Beck Goddard, Cornelius attempted to perfect the daguerreotype. Around October 1839, Cornelius took a portrait of himself outside of the family store. The daguerreotype produced shows an off center portrait of a man with crossed arms and tousled hair. This self-portrait of Robert Cornelius is one of the first photographs of a human to be produced.
Cornelius would operate two of the earliest photographic studios in the U.S. between 1841 and 1843, but as the popularity of photography grew and more photographers opened studios, Cornelius either lost interest or realized that he could make more money at the family gas and lighting company.
There is a young gentleman of this city, by the name of Robert Cornelius, one of the firm of the well known house of Cornelius, Son & Co., who has more genius than he yet supposes himself to possess. As a designer in the way of his profession, he has no equal; as a ventriloquist—but here we are getting into private life:—as a Daguerreotypist his specimens are the best that have yet been seen in this country, and we speak this with a full knowledge of the specimens shown here by Mr. Gouraud, purporting to be, and no doubt truly, by Daguerre himself. We have seen many specimens by young Cornelius, and we pronounce them unsurpassable—they must be seen to be appreciated. Catching a shadow is a thing no more to be laughed at. Mr. Cornelius, in one matter, has outstripped the great master of the art, a thing, by the way, peculiar to our countrymen; he has succeeded in etching his designs onto the plate, from which they cannot be removed by any effort. A few more experiments in this way, and we shall do without engravers—those very expensive gentlemen.
The Daguerreian Society
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Pittsburgh, PA 15216-2460
USA