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A TALK WITH JOHNNY GIN ON THE ARCHITECTURE OF INSURGENCY

BY SHEUNG YIU© Johnny Gin, Untitled, 2014, from the series ‘The Architecture of Insurgency’Photography is arguably one of the best documenting tools. Not long after the invention of photography,...

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PHOTOTALK WITH YANIV WAISSA

BY IRITH GUBY1. Tell us about your approach to photography. How it all started? Some of my earliest childhood memories involve my dad holding a camera. He taught me the first steps of photography. I...

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BOESKY EAST is pleased to present Temporal Maps of a...

BOESKY EAST is pleased to present Temporal Maps of a Non-Sedimented Land, a solo exhibition of work by Thiago Rocha Pitta. This is Rocha Pitta’s first show at the gallery, organized in collaboration...

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PHOTOTALK WITH ARMAND QUETSCH

BY DIETER DEBRUYNE1. Tell us about your approach to photography. How it all started? What are your memories of your first shots?I took my first pictures – like I consciously want to take a photograph...

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BANCO DE TEMPO

BY RENATA SCOVINOBANCO DE TEMPO is a project  by the duoIsabel Löfgren and Patricia Gouvêa started in 2011 at the Jardim do Museu da República in Rio de Janeiro, and that resulted in a homonymous...

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PHOTOTALK WITH TOMASZ LAPTASZYNSKI

BY KRZYSZTOF SIENKIEWICZ1. Tell us about your approach to photography. How did it all begin? What are your memories of your first shots? My first link to photography was my father – he gave me practice...

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PAUL STRAND. PHOTOGRAPHY AND FILM FOR THE 20th CENTURY

Fotomuseum Winterthur presents the first major retrospective in Europe of the work of Paul Strand (1890–1976), one of the great modernist photographers of the twentieth century. Drawing from a recent...

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PHOTOTALK WITH LISA BOUGHTER

BY STEVE BISSON1. Tell us about your educational path. What was your relationship with photography at that time?I have a bachelor’s degree in art history and studio art. While in college, I worked as...

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CHAN DICK. A CONVERSATION WITH THE WINNER OF HONG KONG PHOTO BOOK AWARDS

BY SHEUNG YIUChan Dick (陳的) is a commercial photographer whose personal work has caught as much as, if not more, public attention as his commercial work . His photo series ‘No compromise’ portray...

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PHOTOTALK WITH VINCENT DELBROUCK

BY DAVID MARLÉ1. Vincent, you currently have two exhibitions in Belgium. Can you tell us what they are about? What are the subjects of these two shows and which quests are lying underneath?Hello David....

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ANDY WARHOL. THE PHOTOGRAPHS

Southeast Museum of Photography, Daytona27.02.2015 - 10.05.201“An avid photographer, collector and photographic subject, Warhol incorporated photography into almost every aspect of his aesthetic and...

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ALLEGRA MARTIN. A DOUBLE BIND

BY FRANCESCA ORSI1. How did your passion for photography started? Do you remember your first picture?I remember the first time I made a photograph. I was very young and intrigued by the Polaroid we had...

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PIETER HUGO. CORPOREALITY

Priska Pasquer, Cologne30.01.2015 - 11.04.2015“Even though it feels like I’ve been doing it forever, I am still daunted. It is easier to alienate a stranger than it is to get to know a stranger. You...

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PETR ANTONOV. TREES, CARS AND FIGURES OF PEOPLE

BY NATALYA REZNIK1. Petr, have you ever studied photography? Where and when?When I first decided on becoming an amateur photographer and bought myself an autofocus SLR there were not too many places to...

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MARCH 2015: BOOKS SUGGESTIONS (PART 1)

BY STEVE BISSONSTEPHEN SHAMESBronx Boys"The Bronx has a terrible beauty, stark and harsh, like the desert. At first glance you imagine nothing can survive. Then you notice life going on all around....

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MAXIME DELVAUX. THE PRISM OF ARCHITECTURE

BY DIETER DEBRUYNE1. Tell us about your approach to photography. How it all started? What are your memories of your first shots?I started taking pictures when I was a teenager, my first camera was a...

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MICHAEL DANNER. A CRITICAL MASS

BY SYLVIA SOUFFRIAU1. About your publication ‘Critical Mass’, what was your personal motivation to do this project?In the 1980s new social movements emerged in Western societies. People were...

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ERIC SOUTHER

BY STEVE BISSON1. Tell us about your approach to visual art. How it all started?It is important to my work that the initial images are performative, i.e. created in real time. It allows me to have a...

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WARZYNIEC KOLBUSZ

BY KRZYSTOF SIENKIEWICZ 1. Hello Wawrzyniec! First of all, huge congratulations - you were awarded with the Paul Hill Award at the FORMAT Festival! Yet this is not the only time you have earned...

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MAARTEN ROTS.  A TREASURE HUNTING

BY SANNE KABALT1. How did it all start? What kind of work did you make when you started out?I have always had an interest in photography. As a photographer taking my own photos, but also by working...

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