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OPEN CALL ‘FAUNA’OLIVIER VAN...

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OPEN CALL ‘FAUNA’
OLIVIER VAN HARTINSVELDT
‘Pronkstukjes’ 

Pets used to be kept because they were functional. Cats kept the house free of mice and dogs guarded the yard. The last several decades, however, this has greatly changed. Pets are nowadays mainly kept for companionship and increasingly placed on a pedestal. The animal is moving further away from its natural habitat and it becomes more and more integrated into the life of man.

The series ‘Showpieces’ illustrates how people place pets on a pedestal. The pet loses its animal status, becomes fully integrated into the environment of man and is almost part of the interior. One is proud of their pet and it must be a real showpiece. 

‘FAUNA’ is a new call open to any suggestions on photographic series related to animals. We will be posting the best submissions on Urbanautica and related channels. Deadline is February 18th. One project selected from among those submitted will be published and printed on the 4th issue 4 of “Stand Quarterly” magazine together with the works of Alec Soth, Céline Clanet, Vincent Fournier and Trine Søndergaard. Stand is an advertisement-free photographic journal showcasing the work and thoughts of various contemporary photographers from all areas of the world. Submissions of the series are welcome at info@urbanautica.com or directly on our facebook page. Steve Bisson curator and art director of Urbanautica will also be selecting works for future exhibitions. The selection is made on series (full project). Yet we accept single images to share with our readers here on facebook… Thank you all and best wishes!!! 

© Olivier van Hartingsveldt 


OPEN CALL ‘FAUNA’TAMMY MERCURE I have been...

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OPEN CALL ‘FAUNA’
TAMMY MERCURE

I have been photographing the Southeast United States since moving to Tennessee in 2007. In pursuit of people at leisure, I often go to events with animals. I have photographed cat shows, dog shows, treeing contests, reptile expos, and Steeplechases, to name a few. I enjoy seeing how people and animals interact. 

‘FAUNA’ is a new call open to any suggestions on photographic series related to animals. We will be posting the best submissions on Urbanautica and related channels. Deadline is February 18th. One project selected from among those submitted will be published and printed on the 4th issue 4 of “Stand Quarterly” magazine together with the works of Alec Soth, Céline Clanet, Vincent Fournier and Trine Søndergaard. Stand is an advertisement-free photographic journal showcasing the work and thoughts of various contemporary photographers from all areas of the world. Submissions of the series are welcome at info@urbanautica.com or directly on our facebook page. Steve Bisson curator and art director of Urbanautica will also be selecting works for future exhibitions. The selection is made on series (full project). Yet we accept single images to share with our readers here on facebook… Thank you all and best wishes!!! 

© Tammy Mercure

DONNA J. WAN‘Waterland’  Gallery Carte Blanche is...

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DONNA J. WAN
‘Waterland’ 

Gallery Carte Blanche is pleased to announce the opening of WaterLand, a solo exhibition by Donna J. Wan on Friday, February 15th, 2013. 

Water has always been an important theme in art - both as a vital element for humans and the planet and as a sacred symbol of purity. Water covers 71 percent and 140 million square miles of the Earth’s surface. It is a source of life, food, beauty and recreation, and the center of rising environmental concerns. We all use water - in our homes, at work, at play, and in our industries - and we are all part of and responsible for its condition and future. As water becomes a scarce resource, it threatens to change almost every aspect of our lives. 

Through her photographs, Donna J. Wan doesn’t try to make a political statement about humankind’s impact on the environment. She observes and reports what she sees about how people experience and are affected by water. Our footprints on the landscape are unmistakably visible in her work, but her photographs invite us to reflect on how our perceptions and identities are shaped by the land and the water surrounding it.  More than beautiful sceneries, her work highlights the different ways in which we experience and interact with water in the landscape - for recreation, function, or contemplation.  She shows us that water can be a source of enjoyment, peace, awe, and even fear.  But, because humankind continues to squander and pollute it, her photographs also inevitably question what is at stake if we continue to alter the landscape and the role of water in it. At our current pace of development and water usage, will scenes like the ones captured in her photographs soon become visions of the past?

About the Photographer:

Donna J. Wan was born in Taiwan and now lives in the San Francisco Bay Area. After receiving a BA in economics from Stanford University and working in the corporate world for a few years, Donna decided to pursue her love for art, and completed a MFA from the San Francisco Art Institute in 2008.  Having grown up in New York City, she only recently developed an interest in the natural world. 

Donna’s landscape photographs reflect a continual search for her to understand and express how perceptions and identities are shaped by the landscapes that surround us.  She takes photographs in both the United States and Asia and in both the natural and built environments.   

© Carte Blanche

VICTOR BURGIN, PETER DOWNSBROUGH AT GALERIE THOMAS ZANDER

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Galerie Thomas Zander26.01.2013 - 06.04.2013Galerie Thomas Zander is pleased to present the series...

Man Ray. Renate and L. Fritz Gruber archive‘The outstanding...

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Man Ray. Renate and L. Fritz Gruber archive
‘The outstanding archive of an extraordinary friendship’
Ludwig Museum, Cologne

31.01.2013 – 05.05.2013

Since 1911, Man Ray (1890 - 1976) had been working in New York as a painter and sculptor. He is known as one of the first abstract painters in the USA, who tried to establish contact with the European Avantgarde early on. In 1915, he turned towards photography, worked as a filmmaker and painter, and was a co-founder of the New York Dada section in 1917. In Paris, he joined the Surrealists, while also taking up commercial assignments for fashion- and portrait photography. At the outbreak of war, he moved back to the USA and didn’t return to Paris until 1951. L. Fritz Gruber got in contact with Man Ray in the 1950s, and he and his wife Renate kept up a cordial friendship with the artist until his death.

This friendship resulted in a wide-ranging collection of materials relating to him, including works of art, documents (correspondence etc.), objects, and signed exhibition catalogues. The Museum Ludwig acquired the Man Ray collection of Renate and L. Fritz Gruber in September 2012, with financial support from the Cultural Foundation of the German Federal States and the Arts Foundation of the Federal State of North Rhine- Westphalia.

A special feature of the collection is a set of fifty contact prints of portraits of Lee Miller, Jean Cocteau, Max Ernst, Pablo Picasso, Dora Maar, and many other important artistic figures of the twentieth century, each inscribed by Man Ray with numbers indicating his rating of the subject. The collection also features a series of thirty-seven contact prints of rayographs (as he referred to photograms) that are of considerable importance to students of Man Ray’s work.

This exceptional, highly personal collection of items relating to one of the twentieth century’s greatest photographic artists is going on display in the Prints and Drawings gallery, along with portrait photographs by Man Ray from the Museum Ludwig’s collection.

© Ludwig Museum 

OPEN CALL ‘FAUNA’STACY KRANITZ‘The Louisiana...

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OPEN CALL ‘FAUNA’
STACY KRANITZ
‘The Louisiana Cockfighter’s Manual’ 

Presented with the violent spectacle, the camera is as versatile as it is potent.  It can expose the aggressors of the world or aggrandize them; it can redeem victims or humiliate them further; it can create empathy in the viewer, render them complicit, or simply desensitize them.  I have attempted to explore how these effects co-exist within images of Louisiana Cockfighters that construct and participate in a theater of violence.  I am interested in how, far from concealing their violence, this subculture self-consciously dramatizes it through their daily rituals, habits, and pastimes, thereby implicating the photographer and viewer as consumers of that violence.

Clifford Geertz’ essay, “Deep Play: Notes on the Balinese Cockfight”, explores how Balinese cockfighters use their sport to sublimate their social conflict.  Just like the Balinese, the Louisiana cockfighters vicariously create their own hierarchies of honor and status through the victories and defeats of their birds — “a status blood bath,” as Geertz puts it.  Also like the Balinese, the Louisiana cockfighters are now seen as simple aggressors, despite the  close emotional bond they share with their birds.  Where cockfighting used to take place on the White House lawn, it was finally outlawed on American soil last August. The images seek to explore what the spectacle means now that its particular brand of violence has come to be seen as unnecessary and meaningless.  In the process, the photographs attempt to show how these men have gone from producers of violent spectacles to sad, emasculated subjects who have unwillingly become spectacles themselves.

‘FAUNA’ is a new call open to any suggestions on photographic series related to animals. We will be posting the best submissions on Urbanautica and related channels. Deadline is February 18th. One project selected from among those submitted will be published and printed on the 4th issue 4 of “Stand Quarterly” magazine together with the works of Alec Soth, Céline Clanet, Vincent Fournier and Trine Søndergaard. Stand is an advertisement-free photographic journal showcasing the work and thoughts of various contemporary photographers from all areas of the world. Submissions of the series are welcome at info@urbanautica.com or directly on our facebook page. Steve Bisson curator and art director of Urbanautica will also be selecting works for future exhibitions. The selection is made on series (full project). Yet we accept single images to share with our readers here on facebook… Thank you all and best wishes!!! 

© Stacy Kranitz 

OPEN CALL ‘FAUNA’MORGAN BARRIE‘In...

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OPEN CALL ‘FAUNA’
MORGAN BARRIE
‘In Arcadia’

‘FAUNA’ is a new call open to any suggestions on photographic series related to animals. We will be posting the best submissions on Urbanautica and related channels. Deadline is February 18th. One project selected from among those submitted will be published and printed on the 4th issue 4 of “Stand Quarterly” magazine together with the works of Alec Soth, Céline Clanet, Vincent Fournier and Trine Søndergaard. Stand is an advertisement-free photographic journal showcasing the work and thoughts of various contemporary photographers from all areas of the world. Submissions of the series are welcome at info@urbanautica.com or directly on our facebook page. Steve Bisson curator and art director of Urbanautica will also be selecting works for future exhibitions. The selection is made on series (full project). Yet we accept single images to share with our readers here on facebook… Thank you all and best wishes!!! 

© Morgan Barrie

OPEN CALL 'FAUNA': ROBERTO BOCCACCINO

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‘Hunters Youngsters’Hunting in Northern Europe and Scandinavia is extremely widespread...

OPEN CALL ‘FAUNA’VICTOR VARGAS...

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OPEN CALL ‘FAUNA’
VICTOR VARGAS VILLAFUERTE
‘Double Chein’ 

Double Chien (Double Dog) is a series that explores the obsession of humans to own animals as a luxury product.

FAUNA’ is a new call open to any suggestions on photographic series related to animals. We will be posting the best submissions on Urbanautica and related channels. Deadline is February 18th. One project selected from among those submitted will be published and printed on the 4th issue 4 of “Stand Quarterly” magazine together with the works of Alec Soth, Céline Clanet, Vincent Fournier and Trine Søndergaard. Stand is an advertisement-free photographic journal showcasing the work and thoughts of various contemporary photographers from all areas of the world. Submissions of the series are welcome at info@urbanautica.com or directly on our facebook page. Steve Bisson curator and art director of Urbanautica will also be selecting works for future exhibitions. The selection is made on series (full project). Yet we accept single images to share with our readers here on facebook… Thank you all and best wishes!!! 

© Victor Vargas Villafuerte
 

ALESSANDRO CALABRESE: LOS VON TRIENT

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The name Alto Adige refers to the territory of the Bolzano province, a region of Italy where...

OPEN CALL 'FAUNA': MARIN RAICA

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‘Like a Family’ ‘Like a Family’ is an ongoing long term project about life...

OPEN CALL 'FAUNA': JUAN CARLOS LÓPEZ MORALES

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‘Memento Mori’ I believe in the image as a way to rethink our ideas of reality. In the...

SABINE HORNIG AT TANYA BONAKDAR GALLERY

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‘Transparent Things’ Tanya Bonakdar Gallery, New York10 Jan 2013 - 23 Feb 2013 Tanya...

NEW CALL 'SPORT' FOR THE NEXT ISSUE OF THE MAGAZINE PRIMA PERSONA

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BY STEVE BISSON Introduction«’Primapersona’ is a biannual magazine that features...

OPEN CALL ‘SPORT’Rafael...

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OPEN CALL ‘SPORT’
Rafael Arocha
‘Gotics’

El Gotics RC es un modesto club de Rugby fundado en 1984 en la ciudad de Barcelona. Su sección femenina logró el pasado año el ascenso a “división de honor” nacional tras una dura temporada, todo un gran logro para el club. Entre la dedicación del amateur y las aspiraciones profesionales más de treinta mujeres luchan por hacerse hueco en un deporte minoritario en España y con un fuerte legado masculino. Azafatas, enfermeras, periodistas, veterinarias o biólogas son parte de un grupo que lucha por llevar a su equipo a lo más alto. Un esfuerzo que además de enfrentarlas a un deporte sin apenas ayudas económicas las confronta con un mundo reservado históricamente a los hombres. Ellas declaran sentir pasión por el rugby y es que en este deporte no puede ser de otra manera. Un deporte que tras su contundencia física ensalza valores como el compromiso, el compañerismo, la perseverancia, el instinto de protección y el trabajo en equipo. “El rugby es 20% talento y 80% pasion.”

‘Primapersona’ is a biannual magazine that features unpublished autobiographical texts, whether they are memoirs or autobiographies, diaries or letters that are traces of life written by “ordinary people”. The magazine gives voice to the National Diary Archive of Pieve Santo Stefano in Italy, and moreover, to the general debate on the issues of autobiography. 

In each issue, depending on the subject matter, are presented excerpts from these texts, from all periods of our recent history and from all regions of Italy. Their responses act as in an indirect dialogue with the study and theoretical reflections of those who, anthropologist or historian, sociologist and linguist, philosopher and writer,  are convinced that writing is a gesture of inquiry. (to understand something more of ourselves).

Photography has an important role in this magazine. In each article, words torn from the diaries and autobiographical memories are accompanied by images in black and white. Photographs  are carefully selected to dialogue with rather than interpret these words.

Urbanautica will take part in this new issue dedicated to Sports by suggesting a series of photographic projects that will be collected through an open call. In addition our editorial manager Steve Bisson will write a specific essay.

Submission have to bent sent to info@urbanautica.com. Deadline for submission March 7, 2013.

© Rafael Arocha


OPEN CALL ‘SPORT’Laura Keller...

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OPEN CALL ‘SPORT’
Laura Keller (Sanna)
‘Wrestling, With You’

«Here the principle is simple, two men face to face with bare hands. Swiss wrestling is also called “panties wrestling” because it is practiced with spécial breeches in burlap. The garment is important, it is also a mix between traditional and contemporary elements. It may influence our perception and blur a little of our sense of time.

The sport grows in ambivalence, respect for opponents and his fight simultaneously. Like a dance: you have to be two. Traditions perpetuates something primitive, something ancient that persists. For this reason, I presume they are some cultural identity key and an access to a sense of belonging.  

‘Primapersona’ is a biannual magazine that features unpublished autobiographical texts, whether they are memoirs or autobiographies, diaries or letters that are traces of life written by “ordinary people”. The magazine gives voice to the National Diary Archive of Pieve Santo Stefano in Italy, and moreover, to the general debate on the issues of autobiography. 

In each issue, depending on the subject matter, are presented excerpts from these texts, from all periods of our recent history and from all regions of Italy. Their responses act as in an indirect dialogue with the study and theoretical reflections of those who, anthropologist or historian, sociologist and linguist, philosopher and writer,  are convinced that writing is a gesture of inquiry. (to understand something more of ourselves).

Photography has an important role in this magazine. In each article, words torn from the diaries and autobiographical memories are accompanied by images in black and white. Photographs  are carefully selected to dialogue with rather than interpret these words.

Urbanautica will take part in this new issue dedicated to Sports by suggesting a series of photographic projects that will be collected through an open call. In addition our editorial manager Steve Bisson will write a specific essay.

Submission have to bent sent to info@urbanautica.com. Deadline for submission March 7, 2013.


© Laura Keller (Sanna)

OPEN CALL ‘SPORT’Jorge Santiago‘Identity At...

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OPEN CALL ‘SPORT’
Jorge Santiago
‘Identity At Play’ 

«I grew up in Guelatao de Juárez, a village of approximately 300 people in Oaxaca’s Sierra Norte. Guelatao is famous not only as the birthplace of Mexican president Benito Juárez, but also as the site of the annual Copa Benito Juárez, in which more than 200 teams of indigenous Zapotec, Mixe, and Chinantec players compete over a period of three days. Unlike in wider mestizo Mexico, where soccer reigns supreme, in the Sierra basketball is king. The sport was introduced in the 1930s by president Lazaro Cardenas as a way to bring Oaxaca’s disparate and historically rebellious indigenous groups into the national fold. Cardenas’ dream of a unified national identity didn’t take root in the Sierra, historically isolated and impoverished, but basketball soon became tied to the region’s most significant traditions, and to indigenous identity itself. Like many of my fellow villagers, I grew up idolizing the star players from my village and others, saving up money for basketball shoes, and spending most of my spare time on the basketball court which, as one of the few flat spaces in hilly and terraced Serrano villages, served not only as a site of play but also as a public gathering space. My documentary photography project explores the way in which basketball reinforces indigenous identity. Basketball tournaments are the central fixture of the annual village fiesta, the single most important event in a Serrano village. In the past, migrants would return from the United States for tournaments in their villages; now, with changes in U.S. border policy, they simply send money for trophies, slaughtered bulls, fireworks, uniforms, shoes, and prizes. During the fiesta, the basketball court is the fulcrum of activity: bulls are slaughtered there, bands play in massive group concerts, dances are held, and the names of the migrants sponsoring the fiesta are read aloud».

‘Primapersona’ is a biannual magazine that features unpublished autobiographical texts, whether they are memoirs or autobiographies, diaries or letters that are traces of life written by “ordinary people”. The magazine gives voice to the National Diary Archive of Pieve Santo Stefano in Italy, and moreover, to the general debate on the issues of autobiography. 

In each issue, depending on the subject matter, are presented excerpts from these texts, from all periods of our recent history and from all regions of Italy. Their responses act as in an indirect dialogue with the study and theoretical reflections of those who, anthropologist or historian, sociologist and linguist, philosopher and writer,  are convinced that writing is a gesture of inquiry. (to understand something more of ourselves).

Photography has an important role in this magazine. In each article, words torn from the diaries and autobiographical memories are accompanied by images in black and white. Photographs  are carefully selected to dialogue with rather than interpret these words.

Urbanautica will take part in this new issue dedicated to Sports by suggesting a series of photographic projects that will be collected through an open call. In addition our editorial manager Steve Bisson will write a specific essay.

Submission have to bent sent to info@urbanautica.com. Deadline for submission March 7, 2013.

© Jorge Santiago

OPEN CALL ‘SPORT’Jan Cieslikiewicz  ‘Primapersona’...

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OPEN CALL ‘SPORT’
Jan Cieslikiewicz 

‘Primapersona’ is a biannual magazine that features unpublished autobiographical texts, whether they are memoirs or autobiographies, diaries or letters that are traces of life written by “ordinary people”. The magazine gives voice to the National Diary Archive of Pieve Santo Stefano in Italy, and moreover, to the general debate on the issues of autobiography. 

In each issue, depending on the subject matter, are presented excerpts from these texts, from all periods of our recent history and from all regions of Italy. Their responses act as in an indirect dialogue with the study and theoretical reflections of those who, anthropologist or historian, sociologist and linguist, philosopher and writer,  are convinced that writing is a gesture of inquiry. (to understand something more of ourselves).

Photography has an important role in this magazine. In each article, words torn from the diaries and autobiographical memories are accompanied by images in black and white. Photographs  are carefully selected to dialogue with rather than interpret these words.

Urbanautica will take part in this new issue dedicated to Sports by suggesting a series of photographic projects that will be collected through an open call. In addition our editorial manager Steve Bisson will write a specific essay.

Submission have to bent sent to info@urbanautica.com. Deadline for submission March 7, 2013.

© Jan Cieslikiewicz

OPEN CALL ‘SPORT’Freya...

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OPEN CALL ‘SPORT’
Freya Najade
‘Hydropark’

«The images are part of my work in progress project in Ukraine. They are all taken in Hidropark, which was created in Kyiv during the Soviet era as an entertainment complex offering watersports and recreational activities for Kyivians. Today, thousands still visit the park every summer to appreciate the islands’ relaxing environment and to use the facilities, which have emerged over the years.  The park has  has amongst many other things a table tennis area and a very  huge and popular open-air gym made by volunteers from car parts and scrap metal.  However, t he aim is to change the whole infrastructure of the island by 2020, in order to push tourism and economic development forward. One possible plan is to develop Hidropark into Disneyland.  In my project I explore the landscape of Hidropark and the people visiting, before the reconstruction of the park starts».  

‘Primapersona’ is a biannual magazine that features unpublished autobiographical texts, whether they are memoirs or autobiographies, diaries or letters that are traces of life written by “ordinary people”. The magazine gives voice to the National Diary Archive of Pieve Santo Stefano in Italy, and moreover, to the general debate on the issues of autobiography. 

In each issue, depending on the subject matter, are presented excerpts from these texts, from all periods of our recent history and from all regions of Italy. Their responses act as in an indirect dialogue with the study and theoretical reflections of those who, anthropologist or historian, sociologist and linguist, philosopher and writer,  are convinced that writing is a gesture of inquiry. (to understand something more of ourselves).

Photography has an important role in this magazine. In each article, words torn from the diaries and autobiographical memories are accompanied by images in black and white. Photographs  are carefully selected to dialogue with rather than interpret these words.

Urbanautica will take part in this new issue dedicated to Sports by suggesting a series of photographic projects that will be collected through an open call. In addition our editorial manager Steve Bisson will write a specific essay.

Submission have to bent sent to info@urbanautica.com. Deadline for submission March 7, 2013.

© Freya Najade

OPEN CALL ‘SPORT’Tammy Mercure  I have been...

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OPEN CALL ‘SPORT’
Tammy Mercure 

I have been photographing the Southeast United States since moving to Tennessee in 2007. I have photographed many sports that have men in hand to hand combat. This is a selection from Indie wrestling, collegiate wrestling, and MMA fights.

‘Primapersona’ is a biannual magazine that features unpublished autobiographical texts, whether they are memoirs or autobiographies, diaries or letters that are traces of life written by “ordinary people”. The magazine gives voice to the National Diary Archive of Pieve Santo Stefano in Italy, and moreover, to the general debate on the issues of autobiography. 

In each issue, depending on the subject matter, are presented excerpts from these texts, from all periods of our recent history and from all regions of Italy. Their responses act as in an indirect dialogue with the study and theoretical reflections of those who, anthropologist or historian, sociologist and linguist, philosopher and writer,  are convinced that writing is a gesture of inquiry. (to understand something more of ourselves).

Photography has an important role in this magazine. In each article, words torn from the diaries and autobiographical memories are accompanied by images in black and white. Photographs  are carefully selected to dialogue with rather than interpret these words.

Urbanautica will take part in this new issue dedicated to Sports by suggesting a series of photographic projects that will be collected through an open call. In addition our editorial manager Steve Bisson will write a specific essay.

Submission have to bent sent to info@urbanautica.com. Deadline for submission March 7, 2013.

© Tammy Mercure

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